Tostat da Zoue

Gwilh ar C’hoad

Kanaouennou kristen

1889 (p. 72-73)

◄ Ilis Jesus

Tostat da Zoue

Levr ar c’hras ►

Tostat da Zoue

"Eun Deiz mad"^[1]

13.13.13.13.

$\version "2.16.2" \header { tagline = ##f } \score { \new StaffGroup << \set StaffGroup.instrumentName = \markup {\huge 43.} \new Staff = "merc’hed" << \key e \minor \time 4/4 \partial 4*1 \tempo \markup {\italic "Moderato"} 4=138 \new Voice = "soprano" { \voiceOne << \autoBeamOff \relative c'' { a4 | g g a a | b a \once \override Rest #'staff-position = #0 r b | d c a c | \break b2 \once \override Rest #'staff-position = #0 r4 \bar "||" a4 | g g a a | b a \once \override Rest #'staff-position = #0 r b | \break d c a c | b2 \once \override Rest #'staff-position = #0 r4 \bar "||" b | d c b a | \break a gis2 a4 | b a gis a | b2 \once \override Rest #'staff-position = #0 r4 \bar "||" b4 | \break d4 c b a | a gis2 b4 | d c a b | a2 \once \override Rest #'staff-position = #0 r4 \bar "|." \bar "|." } >> } \new Voice = "alto" { \voiceTwo << \autoBeamOff \relative c' { e4 | e e e e | e e s e | e e e e | \break e2 s4 \bar "||" e | e e e e | e e s e | \break e e e e | e2 s4 \bar "||" e4 | e e e e | \break e e2 e4 | e e e e | e2 s4 \bar "||" e4 | \break e e e e | e e2 e4 | e e e e | e2 s4 \bar "|." } >> } >> \new Lyrics \lyricsto "soprano" { Tos -- ta -- omp va breu -- deur ker da we -- let hon Zal -- ver Ne -- c’het ha skwiz gant an hent, e -- vel eun den dis -- ter, E -- tal feun -- ten Ja -- kob ma o c’hou -- len eul lom dour, E -- vit ter -- ri he ze -- c’hed rag stard oa he la -- bour. } \new Staff = "paotred" << \clef bass \key e \minor \time 4/4 \autoBeamOff \new Voice = "tenor" { \voiceOne << \autoBeamOff \relative c' { c4 | b b c c | d c \once \override Rest #'staff-position = #0 r d | a a c a | \break \bar "|." g2 \once \override Rest #'staff-position = #0 r4 \bar "||" c4 | b b c c | d c \once \override Rest #'staff-position = #0 r d | \break b a c a | g2 \once \override Rest #'staff-position = #0 r4 \bar "||" g | gis a b c | \break c b2 c4 | d c b c | d2 \once \override Rest #'staff-position = #0 r4 \bar "||" gis,4 | \break gis a b c | c b2 gis4 | gis a c d | c2 \once \override Rest #'staff-position = #0 r4 \bar "|." \bar "|." } >> } \new Voice = "bass" { \voiceTwo << \autoBeamOff \relative c { a4 | e' e e e | e e s e | e e e e| \break e2 s4 \bar "||" e | e e e e | e e s e | \break e e e e | e2 s4 \bar "||" e4 | e e e e | \break e e2 e4 | e e e e | e2 s4 \bar "||" e4 | \break e e e e | e e2 e4 | e e e e | a,2 s4 \bar "|." } >> } >> >> \layout { % indent = #10 line-width = #160 } \midi {} }$

2.

Da eur feunteun brudet pell, eur vaouez a dostaz
Hep anaout ar Zalver, he druez hag he c’hras.
Deuet evit tenna dour, leun a bec’hed c’houero,
E kavaz eno raktal, dour euz eur feunteun veo.

3.

Komzou an estranjour-ze a dreuzaz he c’haloun,
Hec’h ourgouil oe diskaret dre druez, tra eston,
An donezon a Zoue zo brema, anat mad,
Brasoc’h oa ’n estranjour ze evit Jakob he zad.

4.

Raktal e redaz buhan da c’hervel tud kear holl,
Glac’haret oa o welet, re all o vont da goll
Deuet gwelet ’ta eun den, ar C’hrist, ar Zalver eo
Ganthan ema a-dra-zur, ar iec’hed an dour beo.

5.

Deuz Jesus, deuz ’ta da rei euz feunteun vad da c’hras.
An dour beo ze euz an env, ha tor hon zec’hed bras
Pa hor bezo-ni tanveet da beoc’h da garante,
Atao ’vidoud e vevfomp en tro pad hon bue.

↑ Le mode Grec, Phrygien (Le mode Ambrosien, Dorien.)

[1] Le mode Grec, Phrygien (Le mode Ambrosien, Dorien.)

[1]