Ar zac’h bennio

Louis Vuillemin

En Kernéo

A. Durand & Fils, 1922 (p. 1)

EN KERNÉO

(EN CORNOUAILLES)

louis vuillemin
(1922)

I

Ar zac’h bennio^[1]

(les binious)

$\version "2.22.0" \header { tagline = ##f } \paper { left-margin = 4\mm system-system-spacing.padding = #6 } \score { \new PianoStaff \with { instrumentName = \markup \italic PIANO } << %Dorn dehou \new Staff \with { \consists Merge_rests_engraver } << \relative c'{ \tempo \markup {Mouv \super t de marche} \numericTimeSignature \time 4/4 r4_\markup {\italic "(m. g.)"} <d'_~ g_~ a_~ c^~ d~ g~>2. -\tweak Y-offset #-5 \sfz | \time 2/4 <d g a c d g>4 r8. g16 | \repeat volta 2 { \stemUp c,8.^\markup {\italic "(allègre et brutalement rythmé)"} e16 d8. g16 | c,8 e d8. g16 | c,8 e d g |c, e \slurDown \appoggiatura { d16 e } d8. g16 } \break \stemNeutral c,8->\f d16 e f8 g-> | f e-> d8. c16 | d8 e-> f16 g f? e | d8-> e c r | c-> d16 e f8 g-> | f e-> \stemUp \appoggiatura { d16 e } \stemNeutral d8. c16 | d8 e-> f16 g f e | d4->\startTrillSpan c8\stopTrillSpan r16 g' \break \set Score.repeatCommands = #'(start-repeat) \stemUp d8.\ff e16 c8. g'16 | d8 e c8. g'16 | d8 e c8. g'16 | \set Score.repeatCommands = #'((volta #f) (volta "1a")) d4->\startTrillSpan c8.\stopTrillSpan g'16 | \set Score.repeatCommands = #'((volta "2a") end-repeat) \stemNeutral d4->\startTrillSpan \stemUp \acciaccatura c8\stopTrillSpan \stemNeutral d r16 c \set Score.repeatCommands = #'((volta #f)) | d8\f g-> f e-> | d c-> d8. c16 | d8 g-> f e-> \break d c \stemUp \appoggiatura { d16 e } \stemNeutral d8-> r16 c | d8 g-> f e-> | \stemUp \appoggiatura { d16 e } \stemNeutral d8 c d8.-> c16 | d-> g d g e-> g f? e | \stemUp \appoggiatura { d16 e } \stemNeutral d8 c-> d-> r | \repeat volta 2 { c->\ff^\markup {\halign #-0.9 \bold "Animez progressivement"} d16 e f-> g f e | d8-> e c-> \stemUp \acciaccatura g' \stemNeutral c, \break d-> e f16-> g f e | d4->\startTrillSpan c8\stopTrillSpan r } | \time 3/4 \slurUp \tupletDown \tuplet 7/4 {c16->\ff(^\markup {\halign #-0.7 \bold "En animant toujours"} d e f g aes c)} \override TrillSpanner.bound-details.left.text = \markup{ \musicglyph "scripts.trill" \raise #0.65 \teeny \natural } g4->\startTrillSpan g16->\stopTrillSpan f e d | \tuplet 7/4 {c16->( d e f g aes c)} g4->\startTrillSpan g16->\stopTrillSpan f e d | \time 2/4 R2 | \time 4/4 r4 \override LaissezVibrerTieColumn.tie-configuration = #`((8 . ,DOWN) (9 . ,UP) (13 . ,UP)) <c' d g>2.\laissezVibrer \sfz \bar "|." } \\ \relative { \mergeDifferentlyDottedOn r4 \stemUp \acciaccatura a'''8 s2. | s4 r8. s16 | \stemNeutral c,,4-> d-> | c-> d-> | c-> d-> | c-> d-> s1 s2 s4. r8 s1 s2 s4. r16 s16 d4-> c-> | d-> c-> | d-> c-> | d-> c-> | s4. r16 s16 | s1 | s2 s4. r16 s16 | s1 | s2 | s4. r8 | s1 s2 | s4. r8 | s2. | s2. | R2 | r4 \stemUp \acciaccatura a''8 } \\ \relative { s4 \stemDown c''2._~ | c4 } >> %Dorn kleiz \new Staff \with { \consists Merge_rests_engraver } << \relative c{ \clef bass \numericTimeSignature <c_~ g'~>1 -\tweak Y-offset #-2.3 \sustainOn^\ff_\markup {\halign #-1.28 \italic "(laissez vibrer)"} | \time 2/4 \stemDown <c g'>4 r-\tweak Y-offset #-2.3 \sustainOff \clef treble | g''8^\ff\sustainOn <aes fis'> g\sustainOn <a fis'> | g\sustainOn <bes fis'> g\sustainOn | g <aes fis'> g <a fis'> | g8 <bes fis'> g g <aes fis'> g <a fis'> | g <bes fis'> g | g <bes fis'> g <a fis'> | g <aes fis'> g <aes fis'> | g <aes fis'> g <a fis'> | g <bes fis'> g | g <bes fis'> g <a fis'> | g8 <aes fis'> g <aes fis'> g <aes fis'> g <a fis'> | g <bes fis'> g | g <bes fis'> g <a fis'> | g8 <aes fis'> g <aes fis'> | g <aes fis'> g <a fis'> | g <aes fis'> g <a fis'> | g <bes fis'> g | g <aes fis'> g <a fis'> g <bes fis'> g | g <aes fis'> g <a fis'> | g <bes fis'> g | g <aes fis'> g <a fis'> | g8 <bes fis'> g | g <aes fis'> g <a fis'> g <bes fis'> g | g <bes fis'> g <a fis'> | g8 <aes fis'> g <aes fis'> | g8[ <aes fis'>] g[ <a fis'>] g[ <bes fis'>] | g[ <aes fis'>] g[ <a fis'>] g[ <b! fis'>] -\tweak X-offset #2.6 -\tweak Y-offset #-3.7 \sustainOff | R2 | r4 \stemUp \override LaissezVibrerTieColumn.tie-configuration = #`((1 . ,DOWN) (-1 . ,DOWN) (4 . ,UP) (6 . ,UP)) <c d e g>2. \laissezVibrer } \\ \relative c{ \clef bass s1 | s4 r4 \clef treble | s1 s s s s s s s s s s s s s s s R2 \override LaissezVibrerTieColumn.tie-configuration = #`((-7 . ,DOWN) (-2 . ,UP)) <c' g'>1 \laissezVibrer -\tweak Y-offset #-1 \sustainOn^\ff -\tweak Y-offset #-7 _\markup {\halign #-1.28 \italic "(laissez vibrer)"} } >> >> \layout { line-width = #205 } \midi { } }$

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