Pajenn:Le Coat - Kanaouennou kristen, 1889.djvu/44

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Adlennet eo bet ar bajenn-mañ
— 34 —


Sikour hor Zalver
13.12.13.12.



\version "2.16.2"
\header {
  tagline = ##f
}
\score {
\new StaffGroup <<
\set StaffGroup.instrumentName = \markup {\huge 20.}
 \new Staff = "merc’hed" <<
  \key d \minor
  \time 4/4
  \tempo \markup {\italic Andante \italic affetuoso.} 4=80
  \partial 4*1
   \new Voice = "soprano" { 
    \voiceOne <<
     \autoBeamOff
     \relative c' {
a'4 | d, e f g8 g | a2. d4 | \break
c a c b | a2 \once \override Rest #'staff-position = #0 r4 \bar "||" a d, e f g8 g | \break
a2. d4 | c a c b | a2 \once \override Rest #'staff-position = #0 r4 \bar "||" a | \break
a ^\< a bes a \! | a ^\> \grace{bes8 [a])} g2 \! g4 | c ^\< c d \! a | \break
a ^\> ( \grace{bes16 [a]} g8 [f] f2 ~ | f8) \! \once \override Rest #'staff-position = #0 r \bar "||" d4 ^\markup {\italic cresc. \italic e \italic rall.} f g | a2 ^\< d \! | \break
\times 2/3 { d8 ^\markup {\italic rit.} ([e d)])} c2 \fermata ^\> f,4 \mf | g a f ^\> e d2. \! \fermata \bar "|."
} >> }
   \new Voice = "alto" {  
    \voiceTwo <<
     \autoBeamOff
     \relative c' {
c4 | a c d c8 c | f2. a4 | \break
a e f f | e2 s4 \bar "||" f | d c d e8 e | \break
f2. f4 | a e f f | e2 s4 \bar "||" f | \break
f f f f | f e2 e4 | f f f f | \break
e2 (f2 ~ | f8) s \bar "||" d4 d e! | f2 g4 (f) | \break
e4 e2 f4 | d d d cis | d2. \bar "|."
} >> }
>>
   \new Lyrics 
    \lyricsto "soprano" {
Red eo deomp gou -- len a -- tao si -- kour mad hor Zal -- ver,
La -- ket eo an a -- bo -- stol d’an holl dud vel skou -- er
Ha pa ve ret d’in mer -- vel, e -- vit va Ao -- trou ker
Ne na -- c’hin ket a -- c’ha -- noud, a la -- va -- raz Sant Per.
}
 \new Staff = "paotred" <<
  \clef bass
  \key d \minor
  \time 4/4
  \autoBeamOff
   \new Voice = "tenor" { 
    \voiceOne <<
     \autoBeamOff
     \relative c' {
a4 | f a a c8 c | c2. d4 | \break
e c d d | c2 \once \override Rest #'staff-position = #0 r4 \bar "||" a | f a a c8 c | \break
c2. a4 | c c d d | c2 \once \override Rest #'staff-position = #0 r4 \bar "||" c | \break
c \< c d c \! | c \> c2 \! c4 | a \< a bes \! c | \break
bes2 \> (a2 ~ | a8) \! \once \override Rest #'staff-position = #0 r \bar "||" f4 _\markup {\italic cresc. \italic e \italic rall.} a g | f2 \< bes \! | \break
bes4 bes2 \> a4 \mf | g f bes \> g | f2. \! \bar "|."
} >> }
    \new Voice = "bass" { 
     \voiceTwo <<
      \autoBeamOff
      \relative c {
a4 | d a d e8 e | f2. f4 | \break
a a d, d | a'2 s4 \bar "||" d, | d a' d, c8 c | \break
f2. f4 | f e d d | <a a'>2 s4 \bar "||" f' | \break
f f f f | c c2 c4 | c c c c | \break
c2 (d2 ~ | d8) s \bar "||" d4 d d | d2 g, | \break
c4 c2 \fermata d4 | bes a g a | d2. _\fermata  \bar "|."
} >> }
>>
>>
  \layout { 
%  indent = #10
  line-width = #160
  }
  \midi {}
}
  1. Le mode Grec, Hypodorien.